Tulokset asiasanalle Articles:
From the topical political affects in Wuppertal to the lost dodo outlining the dramaturgy of the Ant...
Playwright Pipsa Lonka’s new drama Peter lived in a house – a dolphin dot-to-dot is a philosophical...
In his essay "Barentsburg" playwright Mikhail Durnenkov considers the similarities between the Sovie...
In this article, Hanna Helavuori, a Finnish thinker and writer on theatre, discusses six Finnish art...
An essay by Aleksandra Dunaeva, written in honour of another “festival of the impossible” – Baltic C...
Elli Salo is an artist with many strings to her bow. Playwright, writer, author of radio plays, tran...
Artists Geoffrey Erista and Isa Hukka have been invited to convene their own working groups to creat...
A brand new theatre aesthetic, established under the leadership of Finnish author and theatre direct...
Klaus Maunuksela is set to take part in this year’s summer workshop at Barcelona’s world-renowned Sa...
Helsinki-based performance art company Oblivia are collaborating with Theater Bremen and Oper Wupper...
Remakes could offer a sustainable, ethical and financially viable way to run international theatre p...
Written and directed by Saara Turunen, The Phantom of Normality is set to open at Schauspielhaus Boc...
As they prepare mark the 200th anniversary of Dostoevsky's birth, a theatre in Russia has turned to...
Dr Katri Tanskanen shares her picks for Finnish plays that create a safe space for readers and audie...
E.L. Karhu’s new commission for Schauspiel Leipzig gives voice to the voiceless Eriopis who has esca...